New Year Festival – Spring Gift Visual
Use CasesNew Year Festival main pavilion first screen, app Spring Festival theme skin, offline supermarket Spring Festival materials
Aesthetic RefZhang Daqian splash-ink landscapes + Hermès New Year window displays
Using GPT Image 2, A New Year Festival main visual poster. The main subject is a "splash ink" color explosion — a mass of expanding vermilion ink at the center, not traditional smooth bleeding but a tension-filled splash form, with sharp dry-brush edges and fine splatter lines like Zhang Daqian's splash-ink landscape. The darkest center of the vermilion mass approaches deep brown, gradually diluting outward to true red, vermilion, and the outermost pale pink. Golden mineral particles shimmer within the ink mass, like rock-color painting's gold leaf fragments embedded in ink. The expanding ink "engulfs" several floating products — a premium baijiu bottle, a tea gift box, a red lacquerware fruit plate — these items half-hidden, half-visible in the ink, as if growing from the color itself. Background is ultra-pale rice-paper-textured cream white, with visible rice paper fiber texture and tiny mica particles. "Spring Gift Season" main title area reserved at the top in modern geometric typeface rather than traditional calligraphy, "Festive Essentials – All in One Place" subtitle and event dates at the bottom. Very faint traditional meander patterns at all four corners as border decoration, opacity pushed so low as to be nearly invisible. Reference Zhang Daqian's splash-ink technique power and Hermès Lunar New Year window display's restrained Eastern aesthetics. Ratio 9:16 vertical, 8K HD
💡 Use splash-ink's "uncontrollable" aesthetics to break Spring Festival design clichés — no lanterns, no auspicious clouds, no gold ingots, one powerful vermilion mass is the best festive feeling